Inspired by an Ancient African object, Manilla Riddim focuses on the reflection on gratitude and ingratitude, commitment, dependence and liberation.
Danzky describes his experimental Dub music as transcendent and timeless. The analogy between content, feeling, form and cosmos is intended to provide access to higher consciousness. Following from the premise that more exists between heaven and hell than what can be perceived with human senses, Danzky used rare devices to experiment with acoustic refinement to create Manilla Riddim.
credits
released February 1, 2019
Leadvocals/Songwriters
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Linval Thompson -- be Free (Manilla)
King Kong -- They killed the Prophet
Carl Meeks -- Give Thanks
Zenyth -- Revolution
Tenor Youthman -- Cocaine and Criminals
Main Theme Melodica
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Addis Pablo -- be Free
Keys; Beats; Programming;
Mixing/Dubs; Producer: Danzky
Drumsamples: Drum Arsenal, Christian Dorn
Percussions: Larry Salzman
Sax, Trumpet: ColdCityHorns (CCH)
Horn Arrangement: CCH, Danzky
Backing Vocalist: Onyie Nwachukwu, Marvin NY
Mastering: Precise Mastering: Sam John
Artwork: Koketit, Shira Barzilay
Brooklyn's Tour de Force drop their first bass-heavy missile for 2016, blurring the dubby lines between reggae, jungle, and dubstep. Bandcamp New & Notable Apr 5, 2016